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Magic Mill
Types of magic performance
Magic, including the arts of prestidigitation and conjuring, is the art of entertaining an audience by performing illusions that baffle and amaze, often by giving the impression that something impossible has been achieved, almost as if the performer had magic or supernatural powers. Yet, this illusion of magic is created entirely by natural means. The practitioners of this mystery art may be called magicians, conjurors, illusionists or prestidigitators. Artists in other media such as theatre, cinema, dance and the visual arts increasingly work using similar means but regard their magical techniques as of secondary importance to the goal of creating a complex cultural performance.
Types of magic performance
Magic performances fall into five broad genres:
* Close-up magic, which is performed with the audience close to the magician, possibly in physical contact. It usually makes use of everyday items as props, such as cards and coins. Ricky Jay and Lee Asher, following in the traditions of Dai Vernon and Max Malini, is considered the foremost practitioner of close-up magic today. This is also sometimes called "table magic" particularly when performed as dinner entertainment.
* Platform magic, in which the magician stands while performing and is seen by more people simultaneously than the close-up performer. Examples of platform magicians include David Abbott. * Cabaret Magic, in which the magician performs for a medium to large audience, but at or almost at floor level and much closer to many spectators than in auditorium performances. Night club magic and comedy club magic are typical examples. Cabaret performers can generally also function as stage performers. The long-obsolete term parlor magic is sometimes misused as a synonym for cabaret magic.
* Stage magic, which is performed for large audiences, typically within an auditorium. This type of magic is distinguished by elaborate, large-scale props. The most famous magicians in the world, such as David Copperfield, Siegfried & Roy, and Penn and Teller, are best known for their ability in stage-magic.
* Children's magic, which is performed for an audience primary of children, typically performed at a birthday party, daycare or preschool, elementary school, or library. This type of magic is usually comedic in nature and involves audience interaction as well as volunteer assistants. Some magicians, such as Todd McKinney, Luis Villamonte, David Ginn, Samuel Patrick Smith, Richard Green and Barry Mitchell are best known for their ability to entertain children through their performances, books, DVDs, and CDs.
Other specialties or niches have been created:
* Street Magic, a form of street performing or busking using a hybrid of stage magic and close-up magic. Notable modern street magic performers include Jeff Sheridan, Jim Cellini, Gazzo and Sonny Holliday. The term "street magic" has recently (since the first David Blaine TV special "Street Magic" aired in 1997) come to be used to describe a style of "guerilla" performance where magicians approach and perform for unsuspecting members of the public on the street. Unlike traditional street magic, this style is almost purely designed for TV and gains its impact from the wild reactions of the public. Magicians of this type include David Blaine, Criss Angel and Cyril Takayama.
* Bizarre magic, which uses mystical, horror, fantasy and other similar themes in performance. Bizarre magic is typically performed in a close-up venue, although some performers have effectively presented it in a stage setting. Charles Cameron has generally been credited as the "godfather of bizarre magic." Others such as Tony Raven, Tony Andruzzi, and Tony "Doc" Shiels contributed significantly to its development.
* Mentalism, which creates the impression in the minds of the audience that the performer possesses special powers to read thoughts, predict events, control other minds, and other similar feats. Magicians in this field include Max Maven, Luke Jermay, Criss Angel, Derren Brown and Banachek.
* Shock magic is a genre of magic that shocks the audience, hence the name. Sometimes referred to as "geek magic", it takes its roots from circus sideshows, in which "freakish" performances were shown to audiences. Common shock magic or geek magic effects include eating razor blades, needle-through-arm, string through neck and pen-through-tongue. Magicians known for performing shock magic include Criss Angel, Andrew Mayne, Sean Fields and Brian Brushwood.
* Corporate Magic uses magic as a communication tool as opposed to just straight forward entertainment. Corporate magicians come from a business background and have typically moved in to magic later in their careers. This allows them to not only perform magic but to also understand how this can be applied to business communications. Corporate magicians typically present at meetings, conferences and product launches also they run workshops and can sometime be found at trade shows.
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Can anyone help me with My magic the gathering mill deck?
I'm making a mill deck what are some must have cards for this?
Also are there any cards like Planar Void which affects both players but prevent
the cards from ever reaching the graveyard?
Leyline of the Void is awesome for keeping cards from hitting the graveyard (I'm assuming you're worrying about things like the Legendary Eldrazi). This is also better than Planar Void because it only affects your opponent (why would you want to not be able to get your own cards back), and it can actually be out earlier if you happen to have one in your opening hand (although it's more expensive to play if you don't)
Archive Trap is awesome for mill decks. I'd go as far as saying it's much more important than even Traumatize. You can never win a game with Traumatize alone. Archive Trap can set up potentially second/third turn wins if your opponent does something as simple as playing one of those sacrifice lands on their first turn.
Hedron Crabs are really nice if you put them in a Mill/Landfall deck but are just OK in a regular mill deck.
I have a couple Sadistic Sacrament in my Landfall/Mill deck. In that deck it's not too hard to hit one of them fully kicked but, like the Crabs, they're not quite as good in a deck where you aren't focusing on them (although they'd be another nice way of getting rid of anti-mill stuff, even if not kicked).
Then there are things that aren't in standard. Mind Funeral is an awesome mill card. I usually try to hit them with a Sadistic Sacrament, pull out 15 lands, and then hit them with a Mind Funeral ASAP.
Belltower Sphinx is a good blocker for Mill decks and Nemesis of Reason is a very good attacker.
If you go with Hedron Crabs and aren't playing standard I would suggest looking into Oboro, Palace in the Clouds. If you don't have a land to play for a turn with Oboro out you can just tap it to pay for it's own ability, pick it up and play it again, milling 3 cards for each Hedron Crab.
Magic Mill - dough after 13 minutes working.mov